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  1. This incorporated art by the Czech illustrator Adolf Born, narration by broadcaster Herb Lass, and music by Václav Lidl. Dalton concludes in ‘Peter Jackson, Evil, and the Temptations of Film at the Crack of Doom’, in the collection DVD reveal that Jackson’s planned changes served to minimize these themes and instead emphasized Manichaean motifs, with both Aragorn and Frodo killing their enemies, the evil ones, in hand-to-hand battle’ (p. Even in the theatrical version, both Frodo and Gollum fall while struggling, but Frodo manages to hang on to a ledge. Hammond, was published by Harper Collins, London, in 2014. For the latter, Buckhurst expressed gratitude to *W. Craigie, in her Oxford undergraduate days the Rawlinson and Bosworth Professor of Anglo-Saxon. 152, entry for Raymond Wilson Chambers: See also paragraphs on Chambers in Tom Shippey, ‘Scholars of Medieval Literature, Influence of’, 5 (2008). taken from Tolkien’s own copies of the original publication’, all supplied to the journal by Christopher Tolkien. Edith Tolkien’s address was 37 Montpellier Villas through 11 September 1917. The title given here is from a typescript of the poem held at the Marion E. In a letter to Cowling of 23 December 1934, Tolkien praised his Chaucer edition and admired Cowling’s ability to ‘get things done’, compared to his own relative lack of publications. The second phase coincided with the ‘Tolkien cult’ in the 1960s and the reaction to it, and was concerned to evaluate Tolkien’s ‘claims as a literary artist’. on approaching Tolkien’s writings from Tolkien’s point of view’, and writings by Humphrey Carpenter. (Albrow admits that he never enjoyed Old English, and in general his interest in reading English was in literature rather than language.) Adele Vincent heard Tolkien lecture on The highlight of each lecture was when Tolkien would move away from his lectern and pace back and forth at the front of the room, his black academic gown billowing round his shoulders, as he recited whole sections of the poem.